Spinning Wheel
Blood, Sweat, and Tears
Blood, Sweat, and Tears.png
Blood, Sweat, and Tears
RaitingFF.png
Family Friendly
Information
Released 1968
Genre Classic Rock
Language English
Source Downloadable song
Playable in
Rock Band 3
Rock Band Blitz
Difficulty
Band 4Fcircle.pngFcircle.pngFcircle.pngFcircle.pngUFCirlce.png
Basic Pro
Guitar 3Fcircle.pngFcircle.pngFcircle.pngUFCirlce.pngUFCirlce.png NoNo Part
Bass 3Fcircle.pngFcircle.pngFcircle.pngUFCirlce.pngUFCirlce.png NoNo Part
Drums 4Fcircle.pngFcircle.pngFcircle.pngFcircle.pngUFCirlce.png 4Fcircle.pngFcircle.pngFcircle.pngFcircle.pngUFCirlce.png
Keys 2Fcircle.pngFcircle.pngUFCirlce.pngUFCirlce.pngUFCirlce.png 3Fcircle.pngFcircle.pngFcircle.pngUFCirlce.pngUFCirlce.png
Vocals 3Fcircle.pngFcircle.pngFcircle.pngUFCirlce.pngUFCirlce.png NoNo Part
Details
Male singer
Guitar Solo
Keys Solo





"Spinning Wheel" is a song by Blood, Sweat, and Tears which was written by vocalist David Clayton-Thomas, arranged by saxophonist Fred Lipsius, and produced by James William Guercio. It stands today as the greatest success of Blood, Sweat & Tears.

"Spinning Wheel" was nominated for three Grammys in 1970, and won Best Instrumental Arrangement. It was nominated for Record of the Year and Song of the Year. The album itself won the Grammy for Album of the Year in 1970.

In founding member Al Kooper's memoir, Backstage Passes and Backstabbing Bastards, Kooper writes that he originally conceived of Blood, Sweat & Tears as "a band that could put dents in your shirt if you got within fifteen rows of the stage. Like Maynard Ferguson's band from the years 1960-1964, I wanted a horn section that would play more than the short adjectives they were relegated to in R&B bands; but, on the other hand, a horn section that would play less than Count Basie's or Buddy Rich's. Somewhere in the middle was a mixture of soul, rock, and jazz that was my little fantasy."

When Blood, Sweat & Tears was first forming, they needed $40,000.00 seed money while the first album was in progress. This made Jerry Wexler at Atlantic Records (the A&R behind Leiber and Stoller, Led Zeppelin, and Bob Dylan, amongst others) turn them down. Mo Ostin of Warner Brothers also nibbled but turned them down. Finally Bill Gallagher at Columbia signed them on, after attending the Monterey Pop Festival and becoming interested in the alternative market.

One of the most intriguing riddles in rock 'n' roll history is: How did Blood, Sweat & Tears get it name? In Al Kooper's book, the truth is finally revealed: "One particular night, Jimi Hendrix, B. B. King, myself, and an unidentified drummer and bass player were going at it all night at the Cafe Au Go Go... At daybreak, when we finished playing, they put the house lights on and somebody observed: 'Christ! Look at the organ! There's blood all over the keyboard!' Sure enough, I had cut my hand playing, and in the state of bliss induced by my compatriot's sound had not felt a thing. What a great album cover, I thought. No. What a great name for a band."

Video[edit | edit source]

Spinning_Wheel_-_Blood,_Sweat_&_Tears_Expert_(All_Instruments)_Rock_Band_3_DLC

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